Writing In English Is Like

You Must Squeeze Out Of Yourself Every Sensation, Every Thought, Every Image, - Mercilessly, Without Reserve And Without Remorse: You Must Search The Darkest Corners Of Your Heart, The Most Remote Recesses Of Your Brain, - You Must Search Them For The Image, For The Glamour, For The Right Expression. And You Must Do It Sincerely, At Any Cost: You Must Do It So That At The End Of Your Day's Work You Should Feel Exhausted, Emptied Of Every Sensation And Every Thought, With A Blank Mind And An Aching Heart, With The Notion That There Is Nothing, - Nothing Left In You.

The Scrupulous And The Just, The Noble, Humane, And Devoted Natures; The Unselfish And The Intelligent May Begin A Movement - But It Passes Away From Them. They Are Not The Leaders Of A Revolution. They Are Its Victims.

You Can T, In Sound Morals, Condemn A Man For Taking Care Of His Own Integrity. It Is His Clear Duty. And Least Of All Can You Condemn An Artist Pursuing, However Humbly And Imperfectly, A Creative Aim. In That Interior World Where His Thought And His Emotions Go Seeking For The Experience Of Imagined Adventures, There Are No Policemen, No Law, No Pressure Of Circumstance Or Dread Of Opinion To Keep Him Within Bounds. Who Then Is Going To Say Nay To His Temptations If Not His Conscience?

Writing In English Is Like Throwing Mud At A Wall.

I Let Him Run On, This Papier-maché Mephistopheles, And It Seemed To Me That If I Tried I Could Poke My Forefinger Through Him, And Would Find Nothing Inside But A Little Loose Dirt, Maybe.