What We Call The Present

I Go Back To The Reading Room, Where I Sink Down In The Sofa And Into The World Of The Arabian Nights. Slowly, Like A Movie Fadeout, The Real World Evaporates. I'm Alone, Inside The World Of The Story. My Favourite Feeling In The World.

To Be Able To Grasp Something Of Value, Sometimes You Have To Perform Seemingly Inefficient Acts.

I'll Never See Them Again. I Know That. And They Know That. And Knowing This, We Say Farewell.

Then She Took My Hand And Touched It To The Wound Beside Her Eye. I Caressed The Half-inch Scar. As I Did So, The Waves Of Her Consciousness Pulsed Through My Fingertips And Into Me - A Delicate Resonance Of Longing. Probably Someone Should Take This Girl In His Arms And Hold Her Tight, I Thought. Probably Someone Other Than Me. Someone Qualified To Give Her Something. "goodbye, Mr. Wind-up Bird. See You Again Sometime.

When A Writer Develops A Story, He Is Confronted With A Poison That Is Inside Him. If You Don't Have That Poison, Your Story Will Be Boring And Uninspired. It's Like Fugu: The Flesh Of The Pufferfish Is Extremely Tasty, But The Roe, The Liver, The Heart Can Be Lethally Toxic.