What I'm Interested In Is

There Are Things That I Teach, About Building Photographs, And That's Why People Come To My Workshops. When People Come To The Workshops, They're Consumed With Seeking The Subject, And I Teach Seeking The Setting.

I Wanted Life To Be Episodic. I Wanted To Be A Magazine Photographer And I Was Willing To Do What It Took To Become That.

In Almost Every Photograph I Have Ever Made, There Is Something I Would Do To Complete It. I Take That To Be The Spirit Hole Or The Deliberate Mistake That's In A Navajo Rug To Not Be Godlike, But To Be Human.

That's Who Comes To My Workshops. I Jokingly Tell My Students That The Class Could Be Called "your Photographs: Better."

I Was Asked By A Student What My Most Significant Accomplishment Was At National Geographic, After Thirty Years, And I Said That My Career Came To An Appropriate Close, And I Still Loved Photography. Not Everybody Who Spends Their Career At Anything Ends Up Fascinated And Involved With It.