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We've Learned To See The World In Gasps.
-Margaret Atwood
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We've Learned To See The
Margaret Atwood
We've Learned To See The World In Gasps.
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World
More From Margaret Atwood
Every Ending Is Arbitrary, Because The End Is Where You Write The End. A Period, A Dot Of Punctuation, A Point Of Stasis. A Pinprick In The Paper: You Could Put Your Eye To It And See Through, To The Other Side, To The Beginning Of Something Else. Or, As Tony Says To Her Students, Time Is Not A Solid, Like Wood, But A Fluid, Like Water Or The Wind. It Doesn't Come Neatly Cut Into Even-sized Length, Into Decades And Centuries. Nevertheless, For Our Purposes We Have To Pretend It Does. The End Of Any History Is A Lie In Which We All Agree To Conspire.
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A Ratio Of Failures Is Built Into The Process Of Writing. The Wastebasket Has Evolved For A Reason. Think Of It As The Altar Of The Muse Oblivion, To Whom You Sacrifice Your Botched First Drafts, The Tokens Of Your Human Imperfection.
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The Truth Is Seldom Welcome, Especially At Dinner.
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The Trickle-down Theory Of Economics Has It That It's Good For Rich People To Get Even Richer Because Some Of Their Wealth Will Trickle Own, Through Their No Doubt Lavish Spending, Upon Those Who Stand Below Them On The Economic Ladder. Notice That The Metaphor Is Not That Of A Gushing Waterfall But Of A Leaking Tap: Even The Most Optimistic Endorsers Of This Concept Do Not Picture Very Much Real Flow, As Their Language Reveals" Pg. 102.
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Immortality,' Said Crake, ' Is A Concept. If You Take 'mortality' As Being, Not Death, But The Foreknowledge Of It And The Fear Of It, Then 'immortality' Is The Absence Of Such Fear. Babies Are Immortal. Edit Out The Fear, And You'll Be.
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