The Style Developed Over Decades,

I Don't Believe, In The End, That There Is Any Such Thing As No Style. Even A Very Neutral, Plain Style, One That Doesn't Use Colloquialisms, Lyrical Flourishes, Heavy Supplies Of Metaphor, Etc., Is A Style, And It Becomes A Writer's Characteristic Style Just As Much As A Thicker, Richer Deployment Of Idiom And Vocabulary.

I Worked More Intensively Hour After Hour When I Was Starting Out [writing]. More Laboriously. I'd Say Quantity Is Important As Well As Quality, And If You're Not Producing Enough, Make A Schedule And Stick To It.

We All Have An Ongoing Narrative Inside Our Heads, The Narrative That Is Spoken Aloud If A Friend Asks A Question. That Narrative Feels Deeply Natural To Me. We Also Hang On To Scraps Of Dialogue. Our Memories Don’t Usually Serve Us Up Whole Scenes Complete With Dialogue. So I Suppose I’m Saying That I Like To Work From What A Character Is Likely To Remember, From A More Interior Place.

To Be Simple, I Would Say A Story Has To Have A Bit Of Narrative, If Only "she Says," And Then Enough Of A Creation Of A Different Time And Place To Transport The Reader.

The Moment When A Limit Is Reached, When There Is Nothing Ahead But Darkness: Something Comes In To Help That Is Not Real. Another Way All This Is Like Madness: A Mad Person Not Helped Out Of His Trouble By Anything Real Begins To Trust What Is Not Real Because It Helps Him And He Needs It Because Real Things Continue Not To Help Him.