One Man's Fantasy Is Another

Real People Move, They Bear With Them The Element Of Time. It Is This Fourth Dimension Of People That I Try To Capture In A Photograph.

I Don't Really Remember The Day When I Stood Behind My Camera With Henry Kissinger On The Other Side. I Am Sure He Doesn't Remember It Either. But This Photograph Is Here Now To Prove That No Amount Of Kindness On My Part Could Make This Photograph Mean Exactly What He.. Or Even I.. Wanted It To Mean. It's A Reminder Of The Wonder And Terror That Is A Photograph.

It's In Trying To Direct The Traffic Between Artiface [sic] And Candor, Without Being Run Over, That I'm Confronted With The Questions About Photography That Matter Most To Me.

One Man's Fantasy Is Another Man's Job.

I Always Prefer To Work In The Studio. It Isolates People From Their Environment. They Become In A Sense... Symbolic Of Themselves. I Often Feel That People Come To Me To Be Photographed As They Would Go To A Doctor Or A Fortune Teller - To Find Out How They Are.