Long Live The New Flesh.

I'm Simply A Nonbeliever And Have Been Forever. ... I'm Interested In Saying, 'let Us Discuss The Existential Question. We Are All Going To Die, That Is The End Of All Consciousness. There Is No Afterlife. There Is No God. Now What Do We Do.' That's The Point Where It Starts Getting Interesting To Me.

I Think Of Horror Films As Art, As Films Of Confrontation.

I Have No Rules. For Me, It's A Full, Full Experience To Make A Movie. It Takes A Lot Of Time, And I Want There To Be A Lot Of Stuff In It. You're Looking For Every Shot In The Movie To Have Resonance And Want It To Be Something You Can See A Second Time, And Then I'd Like It To Be Something You Can See 10 Years Later, And It Becomes A Different Movie, Because You're A Different Person. So That Means I Want It To Be Deep, Not In A Pretentious Way, But I Guess I Can Say I Am Pretentious In That I Pretend. I Have Aspirations That The Movie Should Trigger Off A Lot Of Complex Responses.

When You're In The Muck, You Can Only See Muck. If You Somehow Manage To Float Above It, You Still See The Muck, But You See It From A Different Perspective. And You See Other Things, Too. That's The Consolation Of Philosophy.

To Me It's Very Obvious There Are Huge Cultural Differences Between Americans And Canadians. But A Lot Of What We Are Is American.