It's Not What Happens To

Out Of Doing All That Experimentation With Sound I Decided I Wanted To Do It With Live Musicians. To Take Repetition, Take Music Fragments And Make It Live. Musicians Would Be Able To Play It And Create This Kind Of Abstract Fabric Of Sound.

It Seems Like We Are Moving Towards Something, Some Kind Of Point And It Is Probably Going To Be An Important Point In Our Development Or Dissolution. That Is What Everybody Seems To Be Thinking.

Acceleration Is Finite, I Think, According To Some Laws Of Physics.

It's Not What Happens To You In Life That Matters; What Matters Is How You Deal With It!

Well I Guess My Music Came To Prominence Around One Piece Called 'in C' Which I Wrote In 1964 At That Time It Was Called 'the Global Villages For Symphonic Pieces', Because It Was A Piece Built Out Of 53 Simple Patterns And The Structure Was New To Music At That Time.