In The Brush Doing What

In Printmaking, I Essentially Use The Same Process As In Painting With One Important Exception ... To Try, With Sensitivity To The Medium To Emphasize What Printing Can Do Best ... Better Than Say, Painting Or Collaging Or Watercolour Or Drawing Or Whatever ... Otherwise, The Artist Expresses The Same Vision In Graphics That He Does In His Other Work.

Each Brushstroke Is A Decision.

The 'pure' Red Of Which Certain Abstractionists Speak Does Not Exist. Any Red Is Rooted In Blood, Glass, Wine, Hunters' Caps And A Thousand Other Concrete Phenomena. Otherwise We Would Have No Feeling Toward Red And Its Relations.

Nothing As Drastic An Innovation As Abstract Art Could Have Come In To Existence, Save As The Consequence Of A Most Profound, Relentless, Unquenchable Need. The Need Is For Felt Experience - Intense, Immediate, Direct, Subtle, Unified, Warm, Vivid, Rhythmic.

A Subject Emerges From An Interaction Between My Self, My I, And My Medium.