Each Brushstroke Is A Decision.

The Main Thing Is Not To Be Dead.

Every Intelligent Painter Carries The Whole Culture Of Modern Painting In His Head. It Is His Real Subject, Of Which Everything He Paints In Both An Homage And A Critique, And Everything He Says Is A Gloss.

Most Painting In The European Tradition Was Painting The Mask. Modern Art Rejected All That. Our Subject Matter Was The Person Behind The Mask.

Art Is An Experience, Not An Object.

In The End I Realize That Whatever Meaning That Picture Has Is The Accumulated Meaning Of Ten Thousand Brushstrokes, Each One Being Decided As It Was Painted.