I Used To Joke I

We Would Choreograph [ With Paul Dano] Before Each Scene [in Swiss Army Man] And Very Quickly Got To A Place Where We Could Improvise Physically In Scene And Know That The Other Person Would Respond In Character Appropriately. So That [dynamic] Was A Lot Of Fun.

The Master And Margarita Is My Favorite. To Me It’s The Greatest Exploration Of The Human Imagination.

When You Get As Lucky As I Got, You Have To Work As Hard As Possible To Earn That Luck.

The Most Wonderful Thing I Hear Is People Coming Up And Saying 'thank You For My Childhood', Which Still Blows My Mind But Is Very Sweet.

You Pick Projects For The Part, The Director, And The Script. I Just Want To Do Different, Interesting Stuff.