I Think The Culture Of

You Take A Vacation To A Place Like Thailand And You're Ready For The Excitement Of Something New And Foreign. But When You're Working 14-hour Days, All You Want Is Something Familiar To Ground You. And There's Just Nothing There.

I'm Sure I Cause Just As Much Consternation For Editors As Any Other Actor, But It Definitely Makes Me Feel More Comfortable Understanding How And Why All The Different Camera Setups Exist.

I Loved The Show Lost, In Part Because The Writers Were So Nimble In How They Would Take Things From Previous Episodes, That Probably Weren't Created With Any Intent Towards A Larger Narrative, And They Would Get Woven Into Narratives In A Really Elegant And Exciting Way.

We Played Around And Improvised A Ton [in The Hangover], And I Think It's Hard To Say At This Point What's What. Gosh, I Wouldn't Even Know How To Take A Stab At It. The Script Was So Good That We Really Didn't Need To Improvise Very Much, But I Think We Just Found A Lot Of Moments On The Set. It's Really Cool When You Get Onto The Set Of A Movie And You Start Shooting The Scenes And You Start To Actually Incorporate The Environment.

I'm Working On A Script Right About Civil War Re-enactors Who Go Back In Time To The Actual Civil War. It's Kind Of A Big, Crazy Back To The Future Comedy. So, Of Course, It's The Civil War - I Play The Banjo. I Was Just Having A Conversation With One Of The Producers About Some Of The Material And He Was Like, 'you Know, We Have To Work In A Scene Where You Play The Banjo. And I Was Like I'll Get Behind That.