I Now Want To Be

In Almost Every Photograph I Have Ever Made, There Is Something I Would Do To Complete It. I Take That To Be The Spirit Hole Or The Deliberate Mistake That's In A Navajo Rug To Not Be Godlike, But To Be Human.

The Unusual Wins Out Over The Usual.

I Have This Awareness That The More Dynamic The Situation Is, The More On Guard I Need To Be That The Dynamic Isn't Controlling The Situation. I Found That Myself In The Galapagos. For The First Time In My Life I Was Around Very Exotic Animals, Colorful, Beautiful, And Immediately Present, All Around. Birds, Turtles, Iguanas, Seals. I Was Being Seduced By Their Exoticism, I Was Taking Pictures.the Pictures Weren't Well Lit, There Was No Moment In Play, There Was No Depth To The Pictures. I Was Just Gawking With My Camera At Something I'd Never Seen Before.

There Isn't An Aspect Of Book Creation I Don't Enjoy, And There Has Always Been A Book In My Life To Dream About Or Work On.

One Of The Things That I Most Believe In Is The Compose And Wait Philosophy Of Photography. It’s A Very Satisfying, Almost Spiritual Way To Photograph. Life Isn't’ Knocking You Around, Life Isn't Controlling You. You Have Picked Your Place, You’ve Picked Your Scene, You’ve Picked Your Light, You’ve Done All The Decision Making And You Are Waiting For The Moment To Come To You.