I Had No Proof That

When We Got To The Part Where We Had To Improvise An Argument In A Poetic Language, I Got Cold Feet. "i Can't Do This," I Said. "i Don't Know What To Say." "say Anything," He Said. "you Can't Make A Mistake When You Improvise." "what If I Mess It Up? What If I Screw Up The Rhythm?" "you Can't," He Said. "it's Like Drumming. If You Miss A Beat, You Create Another." In This Simple Exchange, Sam Taught Me The Secret Of Improvisation, One That I Have Accessed My Whole Life.

I Love Being Alive. I Like Being A Human Being.

I Was At One Of The Lowest Points Of My Life When We Started This Film [dream Of Life], Except, Of Course, That I Had Two Great Children. But The Film Is Not Documenting A Decline; It's Documenting A Rise Up - First Baby Steps And Then Big Steps Up. The Worst That Could Have Ever Happened To Me Had Already Happened. And So The Film Is On The Ascent. And I Think That Gives It A Nice Spirit.

Not Everything We Do As Artists Has Deep Intent. If We Push Barriers, That's Great, But Sometimes We Just Do Our Work. Whether We Make Some Kind Of Statement, Consciously Or Unconsciously, We Shouldn't Take The Innocence Away From What We Do.

I Always Wrote Like Rock 'n' Roll. And I Always Listen To Rock 'n' Roll As Poetry.