I Do Notice That When

Looking In The Mirror, Staring Back At Me Isn't So Much A Face As The Expression Of A Predicament.

There's No Point In It Unless It's A Story That You Really Want To Tell. It's A Nebulous Job. Unless You're Doing It Well, You're Not Doing Anything. And There Are A Few Of Those. It's Perfectly Possible To Be A Passenger On A Film Set Because If Somebody Else Has Written It, You Can Make Nothing Of That Role And That's Exactly What Bad Directors Do.

Nothing Brings You Closer Together Than Blind Terror.

I Do Notice That When I've Been Away And I Come Back To London. People Look At You. People Are Ready To Pick Arguments.

What Infuriates Me Is That In America Violence Is Judged In Context, Whereas Language Is Not. So With Language There Is An Arithmetic That Says: One F*** Is A Pg 13, Two F***s Is An R. They Don't Say: One Bullet Through One Head Is A Pg 13, Two Bullets Through More Than Two Heads Is An R.