Freedom Is Not An Individual

I Have Always Loved Horror Very Much. I Used To Write Stories For Dc's House Of Mystery. It Was One Of My First Jobs Writing For Comics, And I Loved It.

When I'm Drawing A Bottle Or A Town Or A Market, I Transport Myself There. So I Start Drawing Everything That I'm Looking At While I'm There. Here's A Guy Selling The Meat, And He Will Have A Hook, And You Start Adding Things, And It's A Lot Of Fun.

If The Gag Is Complicated, You Spend More Time Thinking About The Way You’re Drawing It.

A Comic Book Is The Opposite Of A Cartoon. In A Cartoon, You Want To Simplify The Idea, So When They Look At It At A Glance, They Get It. Boom. Simple. Direct To The Point. But When You're Drawing Groo, Now It's A Narrative, A Story. You Want The Viewer To Get Involved In The Story. You Want Him To Feel Like He's In The Town To Follow Your Main Character. So I Love To Add Lots And Lots Of Things In It. Things That People Will Enjoy Going Back To And Say, "oh Yeah, That's How A Market Must Have Looked In This Fantasy World, With People Selling Meat Here And Dishes Here."

I'd Love To Do A Whole Series Of Stories And Have Them Collected Into Books.