I Keep Very Weird Hours.

Sometimes, You Start With The Drawing And Then The Gag Comes To You In The Middle Of It. That Is When You Start Working On The Solution Of The Gag, Which Is Composition, Placing, Equilibrium, And Character Design.

When I'm Drawing A Bottle Or A Town Or A Market, I Transport Myself There. So I Start Drawing Everything That I'm Looking At While I'm There. Here's A Guy Selling The Meat, And He Will Have A Hook, And You Start Adding Things, And It's A Lot Of Fun.

If The Gag Is Complicated, You Spend More Time Thinking About The Way You’re Drawing It.

I Think That True Horror Is Accomplished By Slowly Getting Into Your Brain. The Old Way Is Much More Scary.

At The End Of The '60s, I Was Trying To Enter The World Of Comics.