Each Action Of The Actor

The Theatre Is The Involuntary Reflex Of The Ideas Of The Crowd.

Permanent Success Cannot Be Achieved Except By Incessant Intellectual Labour, Always Inspired By The Ideal.

... Actors Of The First Water Are Not More Plentiful Than Playwrights Of Genius.

The Actor Is Too Prone To Exaggerate His Powers; He Wants To Play Hamlet When His Appearance Is More Suitable To King Lear.

Each Action Of The Actor On The Stage Should Be The Visible Concomitant Of His Thoughts.