Distrust Everything I Say. I

I Believe That All Novels, ... Deal With Character, And That It Is To Express Character – Not To Preach Doctrines, Sing Songs, Or Celebrate The Glories Of The British Empire, That The Form Of The Novel, So Clumsy, Verbose, And Undramatic, So Rich, Elastic, And Alive, Has Been Evolved ... The Great Novelists Have Brought Us To See Whatever They Wish Us To See Through Some Character. Otherwise They Would Not Be Novelists, But Poet, Historians, Or Pamphleteers.

Certainly The Effort To Remain Unchanged, Young, When The Body Gives So Impressive A Signal Of Change As The Menopause, Is Gallant; But It Is A Stupid, Self-sacrificial Gallantry, Better Befitting A Boy Of Twenty Than A Woman Of Forty-five Or Fifty. Let The Athletes Die Young And Laurel-crowned. Let The Soldiers Earn The Purple Hearts. Let Women Die Old, White-crowned, With Human Hearts.

If We Can Get That Realistic Feminine Morality Working For Us, If We Can Trust Ourselves And So Let Women Think And Feel That An Unwanted Child Or An Oversize Family Is Wrong -- Not Ethically Wrong, Not Against The Rules, But Morally Wrong, All Wrong, Wrong Like A Thalidomide Birth, Wrong Like Taking A Wrong Step That Will Break Your Neck -- If We Can Get Feminine And Human Morality Out From Under The Yoke Of A Dead Ethic, Then Maybe We'll Begin To Get Somewhere On The Road That Leads To Survival.

At This Point, Realism Is Perhaps The Least Adequate Means Of Understanding Or Portraying The Incredible Realities Of Our Existence.

Fiction Writers, At Least In Their Braver Moments, Do Desire The Truth: To Know It, Speak It, Serve It. But They Go About It In A Peculiar And Devious Way, Which Consists In Inventing Persons, Places, And Events Which Never Did And Never Will Exist Or Occur, And Telling About These Fictions In Detail And At Length And With A Great Deal Of Emotion, And Then When They Are Done Writing Down This Pack Of Lies, They Say, There! That's The Truth!