As A Producer, You Have

I Can't Not Have Something Attached To Like What Actually Happens In Real Life. Like I Can't Do A Romantic Comedy Without There Being Something Where Like, In The Case Of Annie Hathaway's Character, Her Character Ends Up Having Parkinson's, You Know? To Me, I Feel Like That's Love, You Know? Like To Me. So Every Movie Has To Have That Kind Of Sense Of That.

I Think I Find Tactile Things, You Know. Just The Feeling Of Blood Itself Is Enough For Me. If You, Even If It's Not Real Blood. I Mean That's Enough, Like Sometimes There Are Very Simple Things That Are Enough.

I Don't Have A "i Want To Play This Or That," I Just Don't Have That. I've Never Been Like That.

My Mom Would Always Say This Thing About Writing - And I've Taken It Into Account In A Lot Of Things In My Life - Which Is Just, "make It Shorter." Figure Out What You Are Truly Saying, Whittle It Down To The Essence, Then Say That.

I Don't Think I Had Any Idea At The Time How To Work With Someone As Masterful As He Is. And I Don't Think At The Time I Really Understood What Was Happening. I Think I Was In A Space Where I Was Like: There Are All These Things. I Was Shooting All These Takes With David, And I Was Just Confused, As A Person, And As An Actor Feeling A Little Too Big For My Britches And That This Thing Was Happening And Then Also Not Having Enough Skill Yet, And Technique To Know Exactly Where I Was, And Know About The Character.