As A European Filmmaker, You

It's More Enjoyable To Shoot In A Studio On A Single Location With Two Actors... If They Are Good.

It Could Be Fascist, Religious Or Political - It's Always The Same Model That Operates In These Circumstances, And It's That Which Is The Actuality Of This Film. Therefore, It's Not Specifically An Explanation Of German Fascism Because That Would Be An Impossible Thing To Do In Any Case.

You Become A Film Critic Because You're Interested In Film. I Don't Know Whether Knowing So Much About Cinema Leads You To Make Better Films, But It Certainly Can't Hurt.

As A European Filmmaker, You Can Not Make A Genre Film Seriously. You Can Only Make A Parody.

I Think That What's Important As A Director Is To Give Your Actors The Feeling That They're Protected, The Feeling Of Confidence, The Feeling That If They Make Mistakes, Then As A Director, You'll Know How To Help Them. If You're Able To Convey That, Then The Actors Will Give You Wonderful Performances. As Well As The Author, You Have To Write Scenes That Give The Actors The Opportunity To Show What They're Capable Of.