Your Half-caff Double Vanilla Latte

Television Showrunners Are A Foolishly Optimistic Bunch.

What I Think Networks Do So Well Are Big, Fun, Accessible, Invite Everybody Into The Tent Kinds Of Storytelling, Akin To An Early Spielberg Movie Or A Michael Crichton Novel. That's Not To Say That There Aren't Scary Parts 'cause There Are, And That There Aren't Sexy Parts And Edgy Parts, Just Like Early Spielberg Would Have, But There's A Lot Of Heart, A Lot Of Emotion And Complicated Characters.

I've Always Said At The Beginning Of Every Single Season Of The Show When I Was Running The Show In The Writers' Room, "this Is The Last Season, So Let's Smoke 'em If We've Got 'em."

Driver Picks The Music, Shotgun Shuts His Cakehole.

I'm Not A Fan Of Endless Mystery In Storytelling - I Like To Know Where The Mythology's Going; I Like To Get There In An Exciting, Fast-paced Way - Enough That There's A Really Clear, Aggressive Direction To Where It's Going, To Pay Off Mystery And Reward The Audiences Loyalty.