Yet I Was Marilyn Manson

We Play It Differently Now. If We Did The Album Now It Would Be Different.

I'm Eighteen And I Like It.

The Late Sixties And Early Seventies Were Kind Of A Breeding Ground For Exciting New Sounds Because Easy Listening And Folk Were Kind Of Taking Over The Airwaves. I Think It Was A Natural Next Step To Take That Blissful, Easygoing Sound And Strangle The Life Out Of It.

I Hear You Calling And It's Needles And Pins (and Pins) I Want To Hurt You Just To Hear You Screaming My Name Don't Want To Touch You But You're Under My Skin (deep In) I Want To Kiss You But Your Lips Are Venomous Poison

It's Frank's Painting On The Cover. We Were Originally Going To Use A Salvador Dali Painting That We Got Permission From Salvador Dali To Use, And Frank Found This One, And It Really Did Fit The Music Much More.