Why We Are Here Is

There's Always The Danger That There Are So Damn Many Things That A Playwright Can Examine In This Society Of Ours - Things That Have Less To Do With His Artistic Work Than Have To Do With The Critical And Aesthetic Environment - That Perhaps He Does Have To Worry About Whether Or Not He Is Writing Too Fast. But Then Also, Perhaps He Should Worry About Getting As Many Plays On As Possible Before The Inevitable Ax Falls.

You May Dislike The Intention Enormously But Your Judgment Of The Artistic Merit Of The Work Must Not Be Based On Your View Of What It's About. The Work Of Art Must Be Judged By How Well It Succeeds In Its Intention.

Few Sensible Authors Are Happy Discussing The Creative Process--it Is, After All, Black Magic.

I Think I Sit Down To The Typewriter When It's Time To Sit Down To The Typewriter. That Isn't To Suggest That When I Do Finally Sit Down At The Typewriter, And Write Out My Plays With A Speed That Seems To Horrify All My Detractors And Half Of My Well-wishers, That There's No Work Involved. It Is Hard Work, And One Is Doing All The Work Oneself.

A Writer Is A Controlled Schizophrenic.