Why Don't We Have People

I Also Learned To Tell A Story. I Think I Learned From Poetry How To Time A Story. Poetry's Timing, Beats And Pauses. That White Space On The Page Is As Important As The Black. The Bottom Of The Page Is Blackout. It's Performance.

I Think I Didn't Know What I Was Creating, As Much As I Knew What I Didn't Want To Do. And I Didn't Want My Mother's Life. She Was An Unhappy, Frustrated Artist Who Always Dreamed Of A Life That Was Never Going To Be Hers.

When You Edit, You Imagine Your Enemy Is Seated On The Other Side Of The Table. Your Enemy! And Your Enemy Is Going To Read That With A Viciousness, Because He Knows Where You Didn't Work On It. He's Going To Shake It And Really Aim For That Jugular. So You Are Going To Polish, And Revise, And Rewrite, And Cut Out, And Shape It, So That Your Enemy Has No Place To Grip It. That's How You Revise.

I Can't Hang Around With Lots Of People These Days Because I Am Hypersensitive. So When I Am Around A Lot Of People Or A Big Roomful Of People I Get Almost Autistic. I Get Overwhelmed And Really Tired. So I Don't Like Being Around Large Groups.

You Know How They Say, "find Your Voice"? That's Your Voice, In Your Pajamas. And It Doesn't Mean That You're Going To Publish It Or Print It Or People Are Going To See You In Your Pajamas. It Just Means You Are Going To Construct The Foundation In Your Pajamas, In That Voice.