Why Do We Fall? So

Don't Talk Like One Of Them. You're Not! Even If You'd Like To Be. To Them, You're Just A Freak, Like Me! They Need You Right Now, But When They Don't, They'll Cast You Out, Like A Leper! You See, Their Morals, Their Code, It's A Bad Joke. Dropped At The First Sign Of Trouble. They're Only As Good As The World Allows Them To Be. I'll Show You. When The Chips Are Down, These... These Civilized People, They'll Eat Each Other. See, I'm Not A Monster. I'm Just Ahead Of The Curve. -the Joker

I Like Films That Don't Have That Unonimity Of A Response; That Don't Have Consensus In The Audience. What It Is Essentially For Me Is That If You Go Back And Watch The Film A Second Time, Do You Feel That You've Been Played Fair With? Are All The Clues In Place? Indeed, Sometimes These Things Are Even Overstated. Specifically, For That Reason.

To Me, The Most Interesting Approach To Film Noir Is Subjective. The Genre Is Really All About Not Knowing What's Going On Around You, And That Fear Of The Unknown. The Only Way To Do That Effectively Is To Really Get Into The Maze, Rather Than Look At The Maze From Above, So That's Where I Sort Of Come At It.

The Most Stressful And Difficult Part Of Steering A Large Movie Is That You Are Taking On The Responsibility Of Communicating With A Very Wide Audience. You Can't Ever Hide Behind The Notion Of, 'okay, They Just Don't Get It,' Or, 'certain People Just Don't Get It.' You Have To Be Mindful Of The Size Of Your Audience, And You Have To Communicate In A Way That Lets Them In.

I'm A Very Fortunate Person. I Get To Choose The Movies That I Want To Do. I Have A Lot Of Friends In This Industry That Don't Get To Do That. I Grew Up In L.a. A Lot Of My Friends Are Actors So I Realize Every Day How Lucky I Am To Have This Opportunity, So While I'm Here, I'm Going To Try To Do Exactly What I Want.