When We Read, We Are

My Belief Is That Everything That's Written About You Is Actually Secondary Showbiz Nonsense, And You Shouldn't Take Any Notice Of It.

Every 10 Years You're A Different Person, And The Really Great Books Evolve With You As You Get Older. They're Full Of New Rewards.

Seeing The World Anew, As If It Were New, Is As Old As Writing. It's What All Painters Are Trying To Do, To See What's There, To See It In A Way That Renews It. It Becomes More And More Urgent As The Planet Gets Worn Flat And Forest After Forest Is Slain To Print The Paper For People's Impressions To Be Scrawled Down On. It Becomes Harder And Harder To Be Original, To See Things With An Innocent Eye. Innocence Is Much Tied Up With It. As The Planet Gets Progressively Less Innocent, You Need A More Innocent Eye To See It.

In Her Final Months Princess Diana Was Being Shat Upon By The Tabloids -- Basically For Sleeping With An Arab. When She Died, These Same Papers Were Astonished By The Millennial Wave Of Emotionalism That Swept The Country ... One Paper Had A Print-ready Story About What A Slag The Princess Was, And They Had To Pull It At The Last Moment. It Was Replaced With An Image Of Diana As An Angel, Ascending To Heaven.

Saul Bellow Says, Funny Enough, What French Think Of Your Work Is Tremendously Important. And It Is. It's More Than What The Italians, The Spanish, And The Germans Think. Somehow It's Still Got That Cultural Primacy. I Feel That Too: To Get Praised In France Is Better Than To Get Praised Anywhere Else.