When The Object That Is

It's Not A Question Of Getting The Opportunities, It's A Question Of Noticing That Opportunities Are There.

There Is A Considerable Amount Of Manipulation In The Printmaking From The Straight Photograph To The Finished Print. If I Do My Job Correctly That Shouldn't Be Visible At All, It Should Be Transparent.

I Think The Greatest Photographers Are The Amateur Photographers Who Do It Because They Love It. Arnold Newman Is A Good Example; He Is A Consummate Professional, But He's Also An 'amateur' In The Pure Sense Of The Word.

I Find The Surface Of A Photograph A Thing Of Beauty In And Of Itself, And It Is This Surface That Makes A Photograph Unique Relative To Other Two-dimensional Media.

I Think One Of The Aspects Of Photography That Remains For Me Is I Find The Process Still Frustrating. The Counter To That Is That It's Still Very Exciting. If You Didn't Have The Frustration, You Wouldn't Have The Excitement. If You Didn't Have The Disappointment, You Wouldn't Have The Magical Intoxication Of This Process Working.