When I Was Very Little,

My Dad Was Dean Of Fine Arts At The University. I Was Casting Bronzes In The School Foundry. I Was Using The University As A Playground.

Sometimes I Think Creativity Is Magic; It's Not A Matter Of Finding An Idea, But Allowing The Idea To Find You.

In Art Or Architecture Your Project Is Only Done When You Say It's Done. If You Want To Rip It Apart At The Eleventh Hour And Start All Over Again, You Never Finish. I Was One Of Those Crazy Creatures.

I Always Say I'm No Different Than A 19th-century Landscape Painter, It's Just That We Have These Incredible Tools To Look At The Earth And Look At The World Around Us Differently.

I Do Think The Smaller-scale Studio Works Have That Incredible Love Of Data Crunching, Whereas I Would Say The Large-scale Earthworks Tend To Be Much More Stripped-down. With The Mappings, As Connected As They Are To A Much More Analytical Idea, What's A Map? And Can I Make A Map About Time? I Think The First Time Was Hurricane Sandy, The Flood Plane; A Moment In Time, But Indelibly Marked On Any Of Us Who Were In The City. Mapping Time Is Something That I'm Really Interested In.