When I'm Actually Assembling A

The Word Processor Is A Better Tool Than A Quill Pen Because You Can Do So Much More With It, But On The Other Hand, What You Have To Say And How You Say It Is The Ultimate Determination.

Every Film Is Hard Work, And A Few Lucky People Do Get Oscars For What They Do, And It's Recognition For All That Hard Work On A Certain Level. If You Didn't Do The Hard Work, You Wouldn't Be Standing There. On The Other Hand, People Do A Lot Of Hard Work And Don't Get Oscars, So It's A Mixture Of Glory And Injustice At The Same Time.

Most Of Us Are Searching-consciously Or Unconsciously- For A Degree Of Internal Balance And Harmony Between Ourselves And The Outside World, And If We Happen To Become Aware-like Stravinsky- Of A Volcano Within Us, We Will Compensate By Urging Restraint. By That Same Token, Someone Who Bore A Glacier Within Them Might Urge Passionate Abandon. The Danger Is, As Bergman Points Out, That A Glacial Personality In Need Of Passionate Abandon May Read Stravinsky And Apply Restraint Instead.

By Manipulating What You Hear And How You Hear It - And What Other Things You Don't Hear - You Can Not Only Help Tell The Story, You Can Help The Audience Get Into The Mind Of The Character.

Looking At A First Assembly Is Kind Of Like Looking At An Overgrown Garden. You Can't Just Wade In With A Weed Whacker; You Don't Yet Know Where The Stems Of The Flowers Are.