When I First Filmed Things,

I Was Only Interested In My Scene, And I Had To Go Through Thousands And Thousands Of Other Scenes. I Got My Scene And I Read It Many, Many, Many, Many, Many Times. That Was My Research.

The Actor Shouldn't Edit Themselves Or Be Anxious. And The Actors That I Admire Are Always The Ones Who Are Inventive And Their Imaginative Life In Free-willing. It's A Director's Job To Go, "no Here, Don't Do That, Go There."

Education, Awareness And Prevention Are The Key, But Stigmatisation And Exclusion From Family Is What Makes People Suffer Most

When You Meet Women, Don't Pretend To Be Anything That You're Not.

I Have A Great Editor And I Enjoy, In A Masochistic Way, Being Ruthless About My Own Performance. How Do I Know, But I Think I'm Quite Good At Saying, "that's No Good. That's No Good. That's It. That's It. That's Good." And I'm With The Editor Who Goes, "no, I Think You're Wrong. That's Not Your Best." There's An Initial Point In The Editing, If You're Directing Yourself, Especially In My Case, Where You Go, "ouch, Ouch, Ouch, I Can't Watch This." And Then, There's A Point Where You Become Hard-nosed And Just Take Your Neurosis Away And Go, "what's Working? That's Okay. That's Okay. We Can Lose That, And Lose That." You Get Objective About It.