When I Finish A Film,

My Creative Partner Is A Writer, And He's Got An Executive Producing Credit On This Film. We've Made Three Films Together And I Would Never Underestimate The Impact Of A Writer.

This Devil Loves Mankind Because Men Are Going To Always Make The Choice That Will Send Him Into Ascendancy. He's Been Winning The Game For A Long Time.

The Most Disgusting, Appalling Horror Of Our World That We Live In, To Me, Is Sex Trafficking And The Enslavement Of Men And Women, Boys And Girls, In The Sex Industry. That Is The Most Horrific, Horrific Thing That's Happening And It's Happening In All Of Our Towns Here In Los Angeles, In New York, In London, In Paris, All Over The World, And I Think That's Really What Has To Be Addressed.

I'm Not In Front Of The Camera, They Are. I Encourage Them; I Build Up As Much Of Their Confidence And Ego As Possible. They've Got To Take Control; I Can't Act It Out.

I Make Films About Working Class People. All My Films Have Always Been About That. For Example, The Brothel Is A Workplace. It's Aberrant, But A Workplace Nonetheless. I Was More Interested As Opposed To Glamorizing And Saying, Oh, This Is A Great Erotic Place, It's A Place Of Business. The Commodity Is Sex.