When I Do The Permanent

Ephemeral Work Made Outside, For And About A Day, Lies At The Core Of My Art And Its Making Must Be Kept Private.

People Also Leave Presence In A Place Even When They Are No Longer There.

When I Make A Work, I Often Take It To The Very Edge Of Its Collapse, And That's A Very Beautiful Balance.

The Photography Is Not The Aim Of The Work; The Articulation Of The Work Through Photography Is Another Way Of Understanding What's Going On And What's Happening Outside.

My Art Recognizes The Human Place, The Human Context - Especially In Britain, Which Is A Landscape So Worked By People For Thousands Of Years, Written, Deeply Ingrained With The Presence Of People.