What She Wants To Say

What She Wants To Say Has To Do Not Only With Joy But With The Penetrating, Constant Fear That Is Joy's Other Half.

Yes," She Answers And Does Not Move. She Might, At This Moment, Be Nothing But A Floating Intelligence; Not Even A Brain Inside A Skull, Just A Presence That Perceives, As A Ghoast Might. Yes, She Thinks, This Is Probably How It Must Feel To Be A Ghost. It's A Little Like Reading, Isn't It-that Same Sensation Of Knowing People, Settings, Situations, Without Playing Any Particular Part Beyond That Of The Willing Observer.

What A Thrill, What A Shock, To Be Alive On A Morning In June, Prosperous, Almost Scandalously Privileged, With A Simple Errand To Run.

I Have No Useful Theories About Love And Marriage.

Philip Glass, Like [virginia] Woolf, Is More Interested In That Which Continues Than He Is In That Which Begins, Climaxes, And Ends... Glass And Woolf Have Both Broken Out Of The Traditional Realm Of The Story, Whether Literary Or Musical, In Favor Of Something More Meditative, Less Neatly Delineated, And More True To Life. For Me, Glass [finds] In Three Repeated Notes Something Of [a] Rapture Of Sameness.