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What Happened To Poetry In The Twentieth Century Was That It Began To Be Written For The Page.
-James Fenton
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What Happened To Poetry In
James Fenton
What Happened To Poetry In The Twentieth Century Was That It Began To Be Written For The Page.
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Among Those Today Who Believe That Modern Poetry Must Do Without Rhyme Or Metre, There Is An Assumption That The Alternative To Free Verse Is A Crash Course In Villanelles, Sestinas And Other Such Fixed Forms. But Most... Are Rare In English Poetry. Few Poets Have Written A Villanelle Worth Reading, Or Indeed Regret Not Having Done So.
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At Somewhere Around 10 Syllables, The English Poetic Line Is At Its Most Relaxed And Manageable.
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Composers Need Words, But They Do Not Necessarily Need Poetry. The Russian Composer, Aleksandr Mossolov, Who Chose Texts From Newspaper Small Ads, Had A Good Point To Make. With Revolutionary Music, Any Text Can Be Set To Work.
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At Four Lines, With The Quatrain, We Reach The Basic Stanza Form Familiar From A Whole Range Of English Poetic Practice. This Is The Length Of The Ballad Stanza, The Verse Of A Hymn, And Innumerable Other Kinds Of Verse.
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Lyric Poetry Is, Of Course, Musical In Origin. I Do Know That What Happened To Poetry In The Twentieth Century Was That It Began To Be Written For The Page. When It's A Question Of Typography, Why Not? Poets Have Done Beautiful Things With Typography - Apollinaire's 'calligrammes,' That Sort Of Thing.
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