Well, In Bradford I Could

And Then I Went Round The Corner And There's A Van Gogh Portrait, And You Just Think, Well, This Is Another Level. A Higher Level, Actually. I Love The Sargent, But It's Not The Level Of Van Gogh.

It's All Right If You Don't Mind Looking At The World From The Point Of View Of A Paralyzed Cyclops—for A Split Second.

It's Very British To Go About To See Something Unusual And Paint It.

The 'how' Has A Great Effect On What We See. To Say That 'what We See' Is More Important Than 'how We See It' Is To Think That 'how' Has Been Settled And Fixed. When You Realize This Is Not The Case, You Realize That 'how' Often Affects 'what' We See.

Faces Are The Most Interesting Things We See