We, Her Children, Are Heroic,

I Meet You. I Remember You. Who Are You? You’re Destroying Me. You’re Good For Me. How Could I Know This City Was Tailor-made For Love? How Could I Know You Fit My Body Like A Glove? I Like You. How Unlikely. I Like You. How Slow All Of A Sudden. How Sweet. You Cannot Know. You’re Destroying Me. You’re Good For Me. You’re Destroying Me. You’re Good For Me. I Have Time. Please, Devour Me. Deform Me To The Point Of Ugliness. Why Not You? Why Not You In This City And In This Night, So Like Other Cities And Other Nights You Can Hardly Tell The Difference? I Beg Of You.

Journalism Without A Moral Position Is Impossible. Every Journalist Is A Moralist. It's Absolutely Unavoidable.

A Woman's Work, From The Time She Gets Up To The Time She Goes To Bed, Is As Hard As A Day At War, Worse Than A Man's Working Day. ... To Men, Women's Work Was Like The Rain-bringing Clouds, Or The Rain Itself. The Task Involved Was Carried Out Every Day As Regularly As Sleep. So Men Were Happy - Men In The Middle Ages, Men At The Time Of The Revolution, And Men In 1986: Everything In The Garden Was Lovely.

She Represents The Un-vowed Aspiration Of The Male Human Being, His Potential Infidelity - And Infidelity Of A Very Special Kind, Which Would Lead Him To The Opposite Of His Wife, To The Woman Of Wax Whom He Could Model At Will, Make And Unmake In Any Way He Wished, Even Unto Death.

We’re In The Vanguard Of A Nameless Battle, A Battle Without Arms Or Bloodshed Or Glory: We’re In The Vanguard Of Waiting.