We All Die In The

You Can't Rely On The Acting To Tell The Story.

You Don't Know What Life Is. You Know Nothing.

A Play Is Basically A Long, Formalistic Polemic. You Can Write It Without The Poetry, And If You Do, You May Have A Pretty Good Play. We Know This Because We See Plays In Translation. Not Many People Speak Norwegian Or Danish Or Whatever Guys Like Ibsen Spoke, Or Russian - Yet We Understand Chekhov And The Others.

It Is To A Dramatist, Which Is To Say, To An Unfrocked Psychoanalyst, Stunning That That Which Has Sustained The Left In My Generation, Its Avatar, Its Prime Issue, Has Been Abortion. For, Whether Or Not It Is Regarded As A Woman's Right, An Unfortunate Necessity, Or Murder, Which Is To Say, Irrespective Of Differing And Legitimate Political Views, To Enshrine It As The Most Important Test Of The Liberal, Is, Mythologically, An Assertion To The Ultimate Right Of A Postreligious Paganism.

Let The Cut Tell The Story. Otherwise You Have Not Got Dramatic Action, You've Got Narration.