War Is What Happens When

There's A Difference Between Describing And Evoking Something. You Can Describe Something And Be Quite Clinical About It. To Evoke It, You Call It Up In The Reader. That's What Writers Do When They're Good.

It Doesn't Really Matter What "genre" Your Book Is. What Matters Is That It's A Good Book Of Its Kind. Whatever That Kind May Be.

You Always Think, 'oh, If Only I Had A Little Chalet In The Mountains! How Great That Would Be And I'd Do All This Writing' Except, No, I Wouldn't. I'd Do The Same Amount Of Writing I Do Now And The Rest Of The Time I'd Go Stir Crazy. If You're Waiting For The Perfect Moment You'll Never Write A Thing Because It Will Never Arrive. I Have No Routine. I Have No Foolproof Anything. There's Nothing Foolproof.

It Was Exciting To Work With Director Jennifer Baichwal, Who Made Manufactured Landscapes And Others, On The Film Of Payback: Debt And The Shadow Side Of Wealth. It's Called, Simply, Payback. Jennifer Didn't Want To Do A Transliteration Of The Book, A Kind Of Illustrated Version, But To Go Into The Core Of The Book: Owing And Being Owed, Paying And Paying Back, On All Sorts Of Levels. So She Found Real-life, Visceral Stories That Embodied The Themes Of The Book.

For An Instant She Felt Them, Their Identities, Almost Their Substance, Pass Over Her Head Like A Wave. At Some Time She Would Be — Or No, Already She Was Like That Too; She Was One Of Them, Her Body The Same, Identical, Merged With That Other Flesh That Choked The Air In The Flowered Room With Its Sweet Organic Scent; She Felt Suffocated By This Thick Sargasso-sea Of Femininity.