Trace Adkins Doesn't Talk Too

It's Like They Talk About How American Actors Have The Method And English Actors Just Kind Of Switch Views Faster. And John [hurt] Is Telling Me The Story As He's Sitting In That Witness Chair, And They're Putting The Final Touches Of Makeup On. And He Goes, "hold On A Second," To Stop His Story So He Can Do The Take. And He Does This Incredible Take. They Go, "cut." And Then Immediately John Goes, "anyways, So Alec, He's Playing The Chess." And I'm Just Going, "holy Crap." You Get Whiplash From Those Kinds Of Quick Turns!

Paul Gleason Played The Teacher. I Just Tortured Him As Best I Could. 'cause He Wasn't One Of The Kids, You Know, So It Was Okay. He Was Great.

I Wanted To Meet Orson Welles. So I Was Like, Whatever, Somehow Get Me In On This. I'm Able To Get Cast In It, But Orson Welles Worked Alone. He Worked Before All Of Us Worked. He Didn't Want To Work With Anyone Else.

There Were A Few Things That, In Rehearsal, Any One Of Us Might Try. [john] Hughes Would Go, "i Like That," To Me Spitting Up In The Air And Catching It In My Mouth. It Was Just Something I Did In A Rehearsal And Molly [ Ringwald] Went, "ewww." And John Went, "can You Do That Again?" And I Went All Day Long, And He Was Like, "okay, Let's Do That."

Breakfast Club Was Great Because We Had A Real Rehearsal, And We Shot Primarily In Sequence. I Thought That Was Going To Be How Movies Were Done. I Didn't Really Know How Lucky We All Were. We Had A Director That Liked Actors. I Didn't Know That Was Going To Be Rare.