There Was No Possibility Of

To See And Know The Worst Is To Take From Fear Her Main Advantage.

I Looked, And Had An Acute Pleasure In Looking,--a Precious Yet Poignant Pleasure; Pure Gold, With A Steely Point Of Agony: A Pleasure Like What The Thirst-perishing Man Might Feel Who Knows The Well To Which He Has Crept Is Poisoned, Yet Stoops And Drinks Divine Draughts Nevertheless.

It Is One Of My Faults, That Though My Tongue Is Sometimes Prompt Enough At An Answer, There Are Times When It Sadly Fails Me In Framing An Excuse; And Always The Lapse Occurs At Some Crisis, When A Facile Word Or Plausible Pretext Is Specially Wanted To Get Me Out Of Painful Embarrassment.

Is Not The Real Experience Of Each Individual Very Limited? And, If A Writer Dwells Upon That Solely Or Principally, Is He Not In Danger Of Repeating Himself, And Also Of Becoming An Egotist? Then, Too, Imagination Is A Strong, Restless Faculty, Which Claims To Be Heard And Exercised: Are We To Be Quite Deaf To Her Cry, And Insensate To Her Struggles? When She Shows Us Bright Pictures, Are We Never To Look At Them, And Try To Reproduce Them? And When She Is Eloquent, And Speaks Rapidly And Urgently In Our Ear, Are We Not To Write To Her Dictation?

The Practice Of Hinting By Single Letters Those Expletives With Which Profane And Violent Persons Are Wont To Garnish Their Discourse, Strikes Me As A Proceeding Which, However, Well Meant, Is Weak And Futile. I Cannot Tell What Good It Does - What Feeling It Spares - What Horror It Conceals.