There Was A Point In

There's A Magic That Comes From Playing Entirely To Who You Are. I've Got My Specialist Subject - In The Mastermind Sense - And I Wouldn't Change It, Or Who I Am.

I Was Listening To A Lot Of Hip Hop, Music Like Public Enemy That Was About Raising Consciousness, And I Realised I Could Feed That Directly Into My Work, Using Images In A Way That Was A Bit Like Sampling - Taking Images From Diverse Places, Exploring The Contradictions Without Trying To Hide The Seams.

In The End, It Doesn't Really Matter What You Paint. It's All Just A Routine To Connect Yourself Finally With Other People.

Often I Think Changes Within My Work Have Been Seen As Sudden Changes Or Sharp Changes, But For Me They're Not That Sudden. They Have Been There In The Studio, But Not So Much In Public.

When I Left The Royal College, I Decided I Would Only Make Paintings That I Would Want To Look At Myself, That Felt Close To My Life.