There Are So Many Moments

It's Good To Keep In Mind That Prominence Is Always A Mix Of Hard Work, Eloquence In Your Practice, Good Timing And Fortuitous Social Relations. Everything Can't Be Personalized.

You Know, One Of The Only Times I Ever Wrote About Art Was The Obituary Of Warhol That I Did For The Village Voice.

I Think That The Exactitude Of The Photograph Has A Sort Of Compelling Nature Based In Its Power To Duplicate Life. But To Me The Real Power Of Photography Is Based In Death: The Fact That Somehow It Can Enliven That Which Is Not There In A Kind Of Stultifying Frightened Way, Because It Seems To Me That Part Of One's Life Is Made Up Of A Constant Confrontation With One's Own Death.

There's A Moment Of Recognition. It's That White-light Kind Of Stuff That Just "works." I Love That. And You Know It When It Happens, Whether It's A Movie, Music, A Building, A Book.

Direct Address Has Been A Consistent Tactic In My Work, Regardless Of The Medium That I'm Working In.