There Are Only Two Styles

We Came To The House, And It Is An Old House, Full Of Great Chimneys Where Wood Is Burnt On Ancient Dogs Upon The Hearth, And Grim Portraits (some Of Them With Grim Legends, Too) Lower Distrustfully From The Oaken Panels Of The Walls.

They Enter, Locking Themselves In, Descend The Rugged Steps, And Are Down In The Crypt. The Lantern Is Not Wanted, For The Moonlight Strikes In At The Groined Windows, Bare Of Glass, The Broken Frames For Which Cast Patterns On The Ground. The Heavy Pillars Which Support The Roof Engender Masses Of Black Shade, But Between Them There Are Lanes Of Light.

"what Is Your Best, Your Very Best, Ale A Glass?" "two Pence Halfpenny," Says The Landlord, "is The Price Of The Genuine Stunning Ale." "then," Says I, Producing The Money, "just Draw Me A Glass Of The Genuine Stunning, If You Please, With A Good Head On It."

I Can See Others In The Sunlight; I Can See Our Boats' Crews And Our Athletic Young Men On The Glistening Water, Or Speckled With The Moving Lights Of Sunlit Leaves; But I Myself Am Always In The Shadow Looking On. Not Unsympathetically, - God Forbid! - But Looking On Alone, Much As I Looked At Sylvia From The Shadows Of The Ruined House, Or Looked At The Red Gleam Shining Through The Farmer's Windows, And Listened To The Fall Of Dancing Feet, When All The Ruin Was Dark That Night In The Quadrangle.

A Silent Look Of Affection And Regard When All Other Eyes Are Turned Coldly Away-the Consciousness That We Possess The Sympathy And Affection Of One Being When All Others Have Deserted Us-is A Hold, A Stay, A Comfort, In The Deepest Affliction, Which No Wealth Could Purchase, Or Power Bestow.