There Are Always A Few

Write What You Know. Every Guide For The Aspiring Author Advises This. Because I Live In A Long-settled Rural Place, I Know Certain Things. I Know The Feel Of A Newborn Lamb's Damp, Tight-curled Fleece And The Sharp Sound A Well-bucket Chain Makes As It Scrapes On Stone. But More Than These Material Things, I Know The Feelings That Flourish In Small Communities. And I Know Other Kinds Of Emotional Truths That I Believe Apply Across The Centuries.

They Say The Lord's Day Is A Day Of Rest, But Those Who Preach This Generally Are Not Women.

Certainly I'm Still Mining My Experiences As A Journalist. I Think It's No Coincidence That All Three Of My Novels Basically Are About How People Act In A Time Of Catastrophe. Do They Go To Their Best Self Or Their Worst Self?

When You're Writing Non-fiction, You Go As Far As You Can Go, And Then Ethically You Have To Stop. You Can't Go. You Can't Suppose. You Can't Imagine. And I Think There's Something In Human Nature That Wants To Finish The Story.

I Was Really Interested In How Marriages Work, How You Can, You Know, Be In Love With Somebody And Spend Many Years With Your Lives Intertwined, But In The End Another Soul Can Be Fundamentally Unknowable. And I Think That The Stress Of War, When One Party Goes Away And The Other Has To Deal At Home, Is A Really Testing Time In A Lot Of Marriages.