Them As Counts Counts Moren

When I Write A Book, I Don't Have A Plan Or An Outline. The Characters Move The Action, And The Action Develops The Characters. When I Write A Book, I Become An Actor, Really, Taking The Role Of The Person Who Is Speaking Or Acting At The Time, And So Their Reactions To Whatever They See Are My Reactions.

Words Have A Life; Without Response They Die.

Too-lateness, I Realized, Has Nothing To Do With Age. It’s A Relation Of Self To The Moment. Or Not, Depending On The Person And The Moment. Perhaps There Even Comes A Time When It’s No Longer Too Late For Anything. Perhaps, Even, Most Times Are Too Early For Most Things, And Most Of Life Has To Go By Before It’s Time For Almost Anything And Too Late For Almost Nothing. Nothing To Lose, The Present Moment To Gain, The Integration With Long-delayed Now.

An Ordinary Mirror Is Silvered At The Back But The Window Of The Night Train Has Darkness Behind The Glass. My Face And The Faces Of Other Travellers Were Now Mirrored On This Darkness In A Succession Of Stillnesses. Consider This, Said The Darkness: Any Motion At Any Speed Is A Succession Of Stillnesses; Any Section Through An Action Will Show Just Such A Plane Of Stillness As This Dark Window In Which Your Seeking Face Is Mirrored. And In Each Plane Of Stillness Is The Moment Of Clarity That Makes You Responsible For What You Do.

The First Thing I Would Say To Young Writers Is, "don't Do It, Unless You Can't Stand Not To Do It." And The Second Thing I Would Say Is, "if You Do Do It, And Get Into It, The Constant Rule You Should Have In Mind Is To Explore Your Material." It Sounds Simple, But It Isn't, Because People Often Want To Get From A To B, And They Don't Stop To Look At What Is In The Material.