Theater Really Gets Damaged When

I Find Writing Very Difficult. It's Hard And It Hurts Sometimes, And It's Scary Because Of The Fear Of Failure And The Very Unpleasant Feeling That You May Have Reached The Limit Of Your Abilities.

My Whole Life Has Conspired To Bring Me To This Place, And I Can’t Despise My Whole Life.

I Don't Think You Have To Earn Your Income As An Artist To Be An Artist. But If You Are An Artist, Then Art Is What You Do, Whether Or Not You're Paid For Doing It; It Is What You Do, Not What You Are. I Regard Artist Not As A Description Of Temperament But As A Category Of Profession, Of Vocation.

The Kind Of Theater That I Do Is Sort Of ‘narrative Realism,’ Which I Think In The Broadest Sense Is Legitimate To Say Is Mainstream. I Mean, In A Certain Sense, Suzan-lori's Plays Have Had Mainstream Levels Of Success. But Suzan-lori Is In Some Ways Not A Narrative Realist.

I Don't Want To Name Names Because They'd Be Mad At Me If I Did, But People Who Are Significant Novelists Can't Get Published By Real Publishers At This Point, Or Have To Go Through Two Years Of Trying After Writing A Novel That's Taken Them Five Or Six Years And Simply Can't Get The Thing In Print. Or It Gets In Print And It Doesn't Get Reviewed In The New York Times Book Review And Disappears Without A Trace. I Mean, It's Terrifying. I Don't Know How Anybody Can Stand It. It's Such An Enormous Amount Of Work And The Economics Of It Are Really Quite Brutal.