The Truth Is Most Of

I'm A Harsh Critic, You Know? I Am.

I Like The Conscious Manipulation That A Great Director Can Have. When You're Both Complicit In The Manipulation Of An Emotion.

I Also Think Within The Scene, A Specific Scene - If I Were To Play A Part That I Played 10 Years Ago Now, My Interpretation Of That Scene Would Be Totally Different. I Would Be Making Different Choices. Because I Can't Somehow Subtract All Of The Experiences That I've Had In My Life. And It's Fascinating To See, Because Somewhere I'm Very Reflective In That. You Know, I've Been Playing Basically Actually Close To 40 Years Old, So I'm Somewhere Lost In Age In This Movie. But It's Been Fascinating To See That I Can't Subtract That Time.

I Understand The Opposite Side Of The Camera. I Have A Profound Respect For That. I Have Worked With People Who, When You Hit That Mark, Are Doing 50 Percent Of Your Work For You. So, You Know, It's A Balance. When You Walk Into A Mark And You're Lit A Certain Way Or Something's Happening So Often You Don't Know What's Behind You... And That's What's So Strange About Being A Movie Actor.

Working With Robert, Robert [elswit] Is A Storyteller. He's Not A Cinematographer, He's A Storyteller. And To Me, That's The Graduation I Hope To Get To In My Profession. That I'm Not Just An Actor, I'm A Storyteller. And I Think That Takes A Long Time In, When You Have One Job On A Movie Set. Makeup Artists, Actor, Whatever. To Graduate From Just That To Storyteller.