The Jungle Is Dark But

The Crucible Became By Far My Most Frequently Produced Play, Both Abroad And At Home. Its Meaning Is Somewhat Different In Different Places And Moments. I Can Almost Tell What The Political Situation In A Country Is When The Play Is Suddenly A Hit There It Is Either A Warning Of Tyranny On The Way Or A Reminder Of Tyranny Just Past.

They Tried To Escape Technology, To Stay Away From That And Still Have Relationships With Their Fellow Humans. Very Difficult.

A Play's An Interpretation. It Is Not A Report. And That Is The Beginning Of Its Poetry Because, In Order To Interpret, You Have To Distort Toward A Symbolic Construction Of What Happened, And As That Distortion Takes Place, You Begin To Leave Out And Overemphasize And Consequently Deliver Up Life As A Unity Rather Than As A Chaos, And Any Such Attempt, The More Intense It Is, The More Poetic It Becomes.

Nobody Dast Blame This Man. For A Salesman, There Is No Rock Bottom To The Life. He Don't Put A Bolt To A Nut, He Don't Tell You The Law Or Give You Medicine. He's A Man Way Out There In The Blue, Riding On A Smile And A Shoeshine. And When They Start Not Smiling Back -- That's An Earthquake. And Then You Get Yourself A Couple Of Spots On Your Hat, And You're Finished. Nobody Dast Blame This Man. A Salesman Is Got To Dream, Boy. It Comes With The Territory.

Now Hell And Heaven Grapple On Our Backs And All Our Old Pretense Is Ripped Away. Aye, And God's Icy Wind Will Blow.