The Heart Does Not Lie.

Every Reader, As He Reads, Is Actually The Reader Of Himself. The Writer's Work Is Only A Kind Of Optical Instrument He Provides The Reader So He Can Discern What He Might Never Have Seen In Himself Without This Book. The Reader's Recognition In Himself Of What The Book Says Is The Proof Of The Book's Truth.

The Soldier Is Convinced That A Certain Indefinitely Extendable Time Period Is Accorded Him Before He Is Killed, The Burglar Before He Is Caught, Men In General, Before They Must Die. That Is The Amulet Which Preserves Individuals — And Sometimes Populations — Not From Danger, But From The Fear Of Danger, In Reality From The Belief In Danger, Which In Some Cases Allows Them To Brave It Without Being Brave. Such A Confidence, Just As Unfounded, Supports The Lover Who Counts On A Reconciliation, A Letter.

For Often I Have Wished To See A Person Again Without Realising That It Was Simply Because That Personal Recalled To Me A Hedge Of Hawthorns In Blossom, And I Have Been Led To Believe, And To Make Someone Else Believe, In A Renewal Of Affection, By What Was No More Than An Inclination To Travel.

Everything Great In The World Comes From Neurotics. They Alone Have Founded Our Religions And Composed Our Masterpieces.

And So It Is With Our Own Past. It Is A Labour In Vain To Attempt To Recapture It: All The Efforts Of Our Intellect Must Prove Futile. The Past Is Hidden Somewhere Outside The Realm, Beyond The Reach Of Intellect, In Some Material Object (in The Sensation Which That Material Object Will Give Us) Of Which We Have No Inkling. And It Depends On Chance Whether Or Not We Come Upon This Object Before We Ourselves Must Die.